Liebestod
Johannes Müller & Philine Rinnert
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Wed 12.01 – 20:00 – Opera Gent
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Thu 13.01 – 20:00 – Opera Gent
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Fri 14.01 – 13:30 – Opera Gent
The iconic ‘Tristan und Isolde’ revisited
‘In the fourth performance – in the last act – I was struck by the injustice of this unprecedented feat. I shouted: this is the last performance of Tristan and it must never be performed again.’ Richard Wagner wrote these words after the fourth performance of his masterpiece Tristan und Isolde. After long insistence by the composer himself as well as by King Ludwig II, the acclaimed but exhausted couple Ludwig and Malvina Schnorr von Carolsfeld sang the title roles for the fourth and final time, which required an extraordinary effort. Ludwig would suddenly die a few weeks later, Malvina would never set foot on a stage again.
Not only because of the exceptionally moving music, but also because of the legendary creation and performance history of Tristan und Isolde, this composition has the ability to arouse the fascination of opera audiences like no other. Isolde’s closing song, in which she beholds the dead Tristan, is an iconic death scene and at the same time an almost analytical description of her own perception: what she feels, what she sees, what she hears.
In a series of performance installations at the Ghent Opera, the German artists Philine Rinnert and Johannes Müller explore the unsurpassed appeal of Wagner’s sublime opera through acoustic and visual experiments, opera-historical artefacts, conversations with scientists, doctors, singers, passionate opera fans and opera doubters.
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concept, research, direction: Philine Rinnert & Johannes Müller- dramaturgy: Koen Bollen & Piet De Volder — image: Tim Coppens — with: Opera Ballet Vlaanderen